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D​-​04: Vesta Payne - mlybdmncy

by Vesta Payne

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  • Vesta Payne presents pewter water-castings and an accompanying 3 track EP. Classically read using divinatory techniques, the metal pieces formed for ‘mlybdmncy’ are interpreted vibrationally and recast as music, offering time-linear observation through listening.

    The divinatory method of Molybdomancy is performed through the ‘reading’ of objects created by casting boiling metal into water. It is historically present in various cultures, including Scandinavia, Turkey and Pagan Britain. Peoples have diversely employed the method to foretell fortune, deduce bewitchment and remedy curses.

    Vesta Payne is Sarah Hartnett (Ghostlore of Britain) & Tom Wheatley (Теплота). They explore the lip between scientific theory and spiritual practice through a literal materiality. The results take form as necessary.

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    Includes unlimited streaming of D-04: Vesta Payne - mlybdmncy via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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1.
Supplication 03:09
2.
Recast 01:34
3.
Object 04:18

about

Sn/Sb/Cu/Bi/Ag

Vesta Payne presents pewter water-castings and an accompanying 3 track EP. Classically read using divinatory techniques, the metal pieces formed for ‘mlybdmncy’ are interpreted vibrationally and recast as music, offering time-linear observation through listening.

Vesta Payne is Sarah Hartnett (Ghostlore of Britain) & Tom Wheatley (теплота). They explore the lip between scientific theory and spiritual practice through a literal materiality. The results take form as necessary.

Limited edition of 50

Mastered by Amir Shoat

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[The divinatory method of molybdomancy is performed through the ‘reading’ of objects created by casting boiling metal into water. It is historically present in various cultures, including Scandinavia, Turkey and Pagan Britain. Peoples have diversely employed the method to foretell fortune, deduce bewitchment and remedy curses.]

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released September 22, 2023

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Doyenne London, UK

Doyenne is a DIY publisher and label exploring transient forms and the divine feminine

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